The Black Phone (2022) review: a new modern horror icon is bornPost category: Movie Review ShareAll sharing options for:The Black Phone (2022) review: a new modern horror icon is bornTwitter (opens in new window)Facebook (opens in new window)Linkedin (opens in new window)Reddit (opens in new window)Pocket (opens in new window)Flipboard (opens in new window)Email (opens in new window)Copy this URLThese are external links and will open in a new windowAdd to collection(s)
Dashcam (2022) review: Rob Savage’s latest film is a blood-soaked car crash on the highway to hellPost category: Movie Review ShareAll sharing options for:Dashcam (2022) review: Rob Savage’s latest film is a blood-soaked car crash on the highway to hellTwitter (opens in new window)Facebook (opens in new window)Linkedin (opens in new window)Reddit (opens in new window)Pocket (opens in new window)Flipboard (opens in new window)Email (opens in new window)Copy this URLThese are external links and will open in a new windowAdd to collection(s)
We’re All Going To The World’s Fair (2022) review: methodical online myth making horror is sure to dividePost category: Movie Review ShareAll sharing options for:We’re All Going To The World’s Fair (2022) review: methodical online myth making horror is sure to divideTwitter (opens in new window)Facebook (opens in new window)Linkedin (opens in new window)Reddit (opens in new window)Pocket (opens in new window)Flipboard (opens in new window)Email (opens in new window)Copy this URLThese are external links and will open in a new windowAdd to collection(s)
Fresh (2022) review: a darkly comic horror thriller with bitePost category: Movie Review ShareAll sharing options for:Fresh (2022) review: a darkly comic horror thriller with biteTwitter (opens in new window)Facebook (opens in new window)Linkedin (opens in new window)Reddit (opens in new window)Pocket (opens in new window)Flipboard (opens in new window)Email (opens in new window)Copy this URLThese are external links and will open in a new windowAdd to collection(s)
Texas Chainsaw Massacre (2022) review: Leatherface is back in arguably the best sequel they have made to Hooper’s horror landmarkPost category: Movie Review ShareAll sharing options for:Texas Chainsaw Massacre (2022) review: Leatherface is back in arguably the best sequel they have made to Hooper’s horror landmarkTwitter (opens in new window)Facebook (opens in new window)Linkedin (opens in new window)Reddit (opens in new window)Pocket (opens in new window)Flipboard (opens in new window)Email (opens in new window)Copy this URLThese are external links and will open in a new windowAdd to collection(s)
Demonic (2021) review: Blomkamp puts a virtual spin on the exorcist sub-genrePost category: Movie Review ShareAll sharing options for:Demonic (2021) review: Blomkamp puts a virtual spin on the exorcist sub-genreTwitter (opens in new window)Facebook (opens in new window)Linkedin (opens in new window)Reddit (opens in new window)Pocket (opens in new window)Flipboard (opens in new window)Email (opens in new window)Copy this URLThese are external links and will open in a new windowAdd to collection(s)
