Song For Marion is a film to make you want to sing out loud with all the family.
Defiance is far from perfect and certainly not original but Defiance is entertaining throughout and a worthwhile experience for genre fans.
Channel 4’s excellent four-part drama Run, starring Olivia Colman, is a bleakly realistic look at people living on the fringes of society
Static is bland and underwhelming. Could have been great, with a different story.
To say it has been through all the problems it has, World War Z is a rush of pandemic entertainment, which makes an entertaining film in its own right.
In one of the most brutal episodes of the series, Rôti continues to build towards what will surely be a memorable conclusion to this stand out series.
Fine performances are not enough to save Flying Blind from failing to reach the highs that it should, with themes of race and prejudice not taken far enough.
Pacific Rim, the blockbuster of the year, comes generously wrapped in nostalgia, fun and spectacle to define the genre for this decade.
The spirit of Nanook lives on in this, Village at the End of the World, an insightful documentary about surviving traditions and cultures in the contemporary age.
With a story as unbelievable as this, The Deep fails to capture any of the wonder or fulfillment that such a story of human triumph should contain.
Bleak and horrifying, David Cronenberg started strong with this The Brood.
Bringing together great performances with a great story, Buffet Froid is perhaps the best episode of the series, taking Hannibal from strength to strength.
You’ve got blue on you – we review Edgar Wright’s The World’s End, an apocalyptic comedy that pits Simom Pegg and Nick Frost against a town that isn’t all that it seems…
Four street magicians take on the biggest trick of their careers and fool everybody in the process in Now You See Me.
There are occasionally ideas that pop up in Paranormal Incident 2 but they are infrequent in this messy found footage film.