Lars von Trier’s Nymphomaniac is full of ideas, but it takes them nowhere – there is no true meaning behind the director’s striking imagery
Roobla Theatrical Releases.
Bleak thriller Prisoners sees Hugh Jackman go into Oscar-bait mode as a desperate father taking measures into his own hands in trying to find his daughter.
Scorsese and DiCaprio team up for a fifth time to tell the tale of real life stockbroker Jordan Belfort, a name you’re going to remember….
Matt Damon stars in the sci-fi spectacular Elysium, Neill Blomkamp’s eagerly-awaited follow-up to District 9.
A normally decent cast is wasted in 47 Ronin, a film that only finds life in some half decent fight scenes.
Though not flawless, The Desolation of Smaug offers a thrilling journey to Middle Earth, made all the more worthwhile thanks to the revelation of Smaug himself.
Carrie is spooky enough to please fans of the Stephen King novel, but unlikely to live up to Brian De Palma’s 1976 classic
Class of ’92 strips away the media personas of six football legends to reveal a group of friends who made a career out of playing the beautiful game.
Telling the true life tale of the 2009 Maersk Alabama hijacking, Paul Greengrass’s latest sees Tom Hanks as the eponymous Captain Phillips.
David France’s passionate documentary covers the era of aids-related mass death with care and looks at this activist effort with pride.
Gravity is old school but groundbreaking, spectacular but deep and action-packed but tense. This is the best cinematic experience of 2013.
Cate Blanchett gives a stunning performance as a fallen New York socialite in Woody Allen’s Blue Jasmine.
Diana is an oddly unemotive bore that feels strangely worked and less a sweeping biopic, more like Bridget Jones’ Dianary.
Although Devoured shows early promise and certainly has some nice touches it just never really takes off.
The Call is an enjoyable thriller that surpasses the lower expectations that surrounds it.