Jack Bottomley

A Brit thriller that is admirably older school in ambition, Get Lucky is disorderly but pacey enough to keep fans watching.

James Wan’s film lacks the fully roundedness of his last film (Insidious) but delivers majorly on the scares, characters and atmospherics.

While The Lone Ranger may be messy there is fun to be had with this rather different blockbuster.

To say it has been through all the problems it has, World War Z is a rush of pandemic entertainment, which makes an entertaining film in its own right.

Pacific Rim, the blockbuster of the year, comes generously wrapped in nostalgia, fun and spectacle to define the genre for this decade.

The spirit of Nanook lives on in this, Village at the End of the World, an insightful documentary about surviving traditions and cultures in the contemporary age.

There are occasionally ideas that pop up in Paranormal Incident 2 but they are infrequent in this messy found footage film.

Despicable Me 2 expands on the first film by upping the silliness, energy and warmth, it is a bona fide family hit.

There is plenty you could be watching but The Internship is charming and funny enough to enjoy.

We take a look back at DC Comics’ various cinema outings, including Superman and The Dark Knight.

Entity is at times confused and not the most standout low budget horror but offers some genuine creeps along the way.

Jay Baruchel travels to LA to hang out with Seth Rogen but when Rogen takes him to James Franco’s house for an all-star party, events are thrown off when the world starts to end.

Behind the Candelabra is not kitsch it is openly enjoyable, a glittering, camp and respectful celebration of an American icon and his whirlwind romance that is staggeringly performed.

Summer in February is a sumptuously shot and scored production with good performances that should appeal squarely to lovers of period drama despite the flaws.

A review of the new trailer for Alan Partridge: Alpha Papa, “I am siege face”.